2017 Reviews

 

RATz

PETER PAN

 

DIRECTOR

Emlyn Moment

 

MUSICAL DIRECTOR

Marie Cunningham

 

CHOREOGRAPHER

Cynthia Maxey

 

VENUE

Angles Theatre, Wisbech

 

DATE

Thursday April 13th 2017

 

J. M. Barrie's evergreen classic children’s adventure story is one of those odd breed of tales that somehow straddles a selection of genres. It is a play, a pantomime and, on this particular occasion, an honest to goodness musical. As I headed out into the bad lands of Cambridgeshire (third layby on the left and straight on to Wisbech) I actually had no idea which of the three it was going to be …. And do you know what? I didn’t much care. It was the phenomenally talented (and enormously prolific) Right Angles Theatre Company (RATz) so it was going to be good whichever way the wind blew!

 

The musical version on offer was with notes from George Stiles, lyrics by Anthony Drewe and a book by Willis Hall and was a version unfamiliar to me. As I reflect upon it now, it was really quite an accomplished piece of work with the characters well (re) drawn, the story well told and full of songs you could whistle all the way home. I noted on arrival that it was a Josef Weinberger license so it boded well. I will not insult anyone by offering to re-tell the story. Suffice to say, boy who never grows up meets middle class girl growing up fast and together they confront Pirates, Indians and a crocodile! That is all you need to know, and probably knew already.

 

The set (Phil Griggs, John Fletcher and Bob Ledger with beautiful scenic artistry by equally beautiful Bob Ledger ….so good I’ve named him twice) was excellent. A clever two-level affair that allowed a lot of scene changes, without any scenery changes. Lighting and sound (design by Rob Williams and execution by Mathilde Tranter on lights and Jacob Gowler on sound) was imaginative and extremely effective, adding additional depth to the bright colours incorporated in the scenery. Costumes (design by Josie Stevens with “support” by Ellen Thrasher, Tania Hanks and Rosie Turley) were outstanding, and the quality was matched by the extremely large quantity, with all the performers looking good in all the roles they took on. By the same token, incidental props (Mathilde Tranter),

make-up and wigs (Ellen Thrasher, Lewis Stevens and Cynthia Maxey) could not be faulted with Captain Hook’s wig worth the ticket price on its own!

 

The chorus was way too vast for me to mention everyone, but we had team B, and everyone involved was enthusiastic and very well disciplined. The singing was loud, and the dancing (choreography by Cynthia Maxey) well-conceived and competently executed. So many children often doubling (or even trebling) up as Lost Boys, Pirates and Indians with a couple of Mermaids thrown in for good measure!

 

In the supporting roles, I loved Chloe Stokes as Nana the dog (and a lost boy), Rheannon Hanks as Liza and Red Indian, Lauren Bird as Lost Boy, Tootles, Rebecca Phillips-Bartlett as Pirate, Cecco, with Aiden Wallace working hard to bring ‘right hook’ man Mr Smee to life. Bridie Fraser and Keegan Hanks did a wonderful job of portraying the two younger Darling children, John and Michael, and I could not take my eyes off Michaela Matthew as Gentleman Starkey as she used her incredible stage presence to dance and act in way that made her difficult not to watch. I was equally enchanted by Lilliana Izzo as the iconic fairy, Tinker Bell, who did a lot of acting without having a single audible line. Her face and body did all the work in a performance of significant quality. Now I think about it, another member of the supporting cast who had to do a lot of acting to make up for the lack of dialogue was Kala Amor (That is a West End name if ever I heard one !!) as the other woman in Peter Pan’s life Tiger Lily. Miss Amor was top notch throughout !

 

In the more prominent parts, I was completely blown away by Isobel Ward as Mrs Darling. Miss Ward gave a warm and compelling performance as the middle class mother and simply did not put a foot wrong. Her acting was superb and her singing was… just beautiful as she made ‘Just Beyond the Stars’ one of the highlights of my evening. As an aside, when commending Miss Ward’s performance after the show to one Robert Williams, he declared that I had “savaged her” in my review of ‘Guys and Dolls’! My dear Mr Williams, I have never ‘savaged’ anyone in any review but… for the avoidance of doubt (and in a desperate attempt to repair my damaged reputation) what I said was . . .

. . . “He was helped in no small part by Isobel Ward as long-suffering girlfriend, Miss Adelaide, who struggled just a bit with the acting but more than made up for it with a superb singing voice.”

 

For a man from Wisbech, where a savaging would generally lead to hospitalisation, I would say Mr Williams, this was a little less than that!! I do have to say that very much like Edward O’Connor in ‘Les Mis’ last year, Miss Ward has improved dramatically from a decent performer to a brilliant one!

 

In the other lead roles, I must spend a minute or two to lay prostrate at the feet of the incredible Lesley Mardle. I have seen Mrs Mardle over at Westacre and was always struck by her mighty stage-presence. In this production, she took the role of Storyteller and brought a level of gravitas to the part that simply lifted the whole production from the Championship, into the Champions League positions in the Premiership. An amazing performer and a mesmerising performance. I was also somewhat captivated by Kiera Samways as the hero of the piece, Peter Pan. The little boy who never grows up was in safe hands all night as Miss Samways delivered the perfect performance. The same is completely true of Catherine Missin as Wendy Darling, who was equally compelling and just seemed to have achieved a level of comprehension and understanding of what the part was all about. She succeeded again and again in showing Wendy’s strength and vulnerability in equal measures and always at the right times. Her excellent singing voice helped her nail completely all her songs with the reprise of “Just Beyond the Stars” reducing me to a blubbering jelly.

 

Once again, I may be going over old ground when I recall when Robert Williams was ‘just that bloke in black on the lights’. He is (of course) a lot more than that these days, and to him alone I award penultimate paragraph honours in this presentation. He made a lovely job of Mr Darling … but when he returned as the eponymous arch-villain, Captain Hook, he quite simply stole the show! A powerful, yet controlled, acting performance. A technical standard that was inch-perfect, and a booming and incredibly accurate singing voice that filled the Angles Theatre from basement to rafters. Mr Williams was in his element and it was his significant contribution that has made this production a real contender in the adult musical category. A feat not easily achieved with a predominantly kiddies show.

 

Before I conclude,  must not forget to heap a generous amount of praise on Musical Director Marie Cunningham and her 3 piece combo. A deep rich sound that suggested a much larger number of musicians. Barely a note out of place and the perfect accomplishment to this production. All that is left to say is, If you are one of those amateur performers who do actually read the reviews and don’t just skim until you have found your own name, I am confident  that having read to this point you will (without looking at the header) already know there is really only one person who could have directed this masterpiece. To Mr Emlyn Moment I simply have no more words of praise left that I haven’t attributed to him already. He is a prodigious genius who can motivate and herd large qualities of juveniles so that they perform like seasoned professionals - always delivering a quality product and a memorable experience. I never thought for a  - Moment (pun intended) that he would top his incredible ‘Les Mis’ but my word … he came dangerously close. Well played RATz - cracking!

 

Stephen Hayter

(Regional Representative NODA Eastern Region Area 4 North)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RATz

JEEVES AND WOOSTER

 

Director: Billy Garner

Date seen: Saturday 25th February 2017

 

Since I reached the age of twenty, and yes that was some years ago, I turned my back on the written word in favour of television and film. It has, since that time, been my contention that, if God had meant us to read books, he would not have invented the DVD. However, in the days before I reached my 20th year, I loved books, and more importantly, I loved P.G.Wodehouse! As I took my seat at The Angles Theatre, I was extremely excited to see my two of my favourite fictional characters, brought to life by three of my favourite amateur performers.

 

The set (design by Robert Williams, construction and management by Phil Griggs and John Fletcher) was perfection. This was a studio style production and the basic, infinitely changeable, scenery was just what was required. The embellishments and augmentations to the aforementioned scenery (Bob Legend .. sorry Ledger) added greatly to the spectacle and incidental props (cast and Theatre) whilst few, caused me no offence whatsoever. The costumes (cast and Theatre) did look to have been something of an afterthought and it did occur to me where the entire focus was on the performers … a little more effort might have been a good investment. However, Aunt Dahlia’s wig (Kerry Shippey) was well worth the ticket price alone!

 

My opening comments are most relevant as I had read this story and also seen the Fry and Laurie version on the small screen. It is a cracking yarn and this stage adaptation used a storytelling technique which was excellent. Socialite and man-about-town, Bertie Wooster, decides to recount the story to the audience with the help of omnipresent man servant, Jeeves and another butler, Seppings. Bertie remains himself whilst the two butlers play all the other parts. You don’t need to know any more about the plot, only that no comedy stone was left unturned!

 

Josh Shippey (married by the time this goes into circulation) is a fine comedy actor. His sense of the ridiculous is rivalled only by his father’s. His version of Jeeves was very different to those that had gone before but that is purely an observation and by no means a criticism. Amongst his many other parts, I nearly wet myself every time he turned up as Gussie Fink-Nottle. Mr Shippey was confident with his lines and tireless with his performance.

Matt Beare is very much like Josh Shippey. They share many of the same skills and I like nothing better than seeing them perform together. With Mr Shippey focussing on Jeeves, Mr Beare had free rein with a large quantity of the other characters in the story. He was particularly effective as Spode, the villain of the piece and hilarious as Aunt Dahlia. He simply milked every possible laugh from each of his manifestations and my face was aching as I left the theatre.

 

In a seven paragraph review it would be easy to dismiss the appropriation of penultimate paragraph honours, but you would do so at your peril. Chris Moment is a very endearing performer and was perfectly cast as the well-intentioned inbred, Bertie Wooster. It is impossible to enjoy Pelham Grenville Wodehouse unless you empathise with his central character and accept all his imperfections. Mr Moment made it easy, being not just enormously likeable, but in my humble opinion, perfectly capturing the very essence of the person he was playing.  He is a brilliant comedy actor but on this night it was a lot more than that. His control, timing and the way he waded through mountains of dialogue without a hint of hesitation, deviation or repetition, that completely stole the show. He was always the straight man to the other two performers and the keystone to the whole production.

 

My profound congratulations and sincere thanks to débutante director, Billy Garner, for bringing me back to Mr J and Mr W. Mr Garner is a professional standard actor in his own right and this cabaret style, high comedy production was the perfect project for him to try his hand at directing. The technical direction was excellent and the creativity and innovation delightful. So many laughs, and so many ideas… and so much energy! The pinnacle of innovation was most definitely the unexpected appearance of Mr Shippey at one end of the theatre, when I was sure he was at the other end! My hat is completely off to all four of these gentleman for an amazing night of comedy that will have me smiling for months to come. Now, where did I leave my Fry and Laurie box-set?

 

Stephen P E Hayter

(Regional Representative – NODA Eastern Region Area 4 North)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We are grateful for the support from the Wisbech Round Table

Telephone: 01945 47 44 47

Email: office@anglestheatre.co.uk

 

Angles Theatre Wisbech

Cambridgeshire PE13 1HQ

Registered Charity 278240

7

We are grateful for the support from the Wisbech Round Table

Angles Theatre Wisbech